雪儿年青慧美，被富商戴家乐力追，但她心系青年艺术家阿化，并选择了与阿化共赋同居。戴家乐心有不甘，利诱阿化离开雪儿。以为阿化与雪儿分手，他就可乘虚而入，结果阿化不甘失败，将真相剖白。两人互揭疮疤，雪儿窃笑之余，不禁一阵失落……

雪儿年青慧美，被富商戴家乐力追，但她心系青年艺术家阿化，并选择了与阿化共赋同居。戴家乐心有不甘，利诱阿化离开雪儿。以为阿化与雪儿分手，他就可乘虚而入，结果阿化不甘失败，将真相剖白。两人互揭疮疤，雪儿窃笑之余，不禁一阵失落……

Chris Collins is a teen whom resides in a state of irreversible sexual stimulation. He seems to exist rich and varied sex lifetime involving simply about every woman he fulfills but, unfortunately for Chris, these experiences exist just in his too hot mind. 　　At school Chris is smitten by a new girl on campus, the beautiful blonde, Beth Lowell. His obsession with Beth does not go un-noticed by the school bully Norman, who manoeuvres him into betting his car that he cant get into bed with Beth in one week. 　　Chris is desperate and appeals to a newly-arrived neighbour, the worldly sophisticated Michelle for advice and gets more than he ever hoped for. 　　Sylvia (Emanuel) Kristel plays Michelle. The Big Bet was directed by 50's scifi/horror maestro Bert I. Gordon.

Chris Collins is a teen whom resides in a state of irreversible sexual stimulation. He seems to exist rich and varied sex lifetime involving simply about every woman he fulfills but, unfortunately for Chris, these experiences exist just in his too hot mind. 　　At school Chris is smitten by a new girl on campus, the beautiful blonde, Beth Lowell. His obsession with Beth does not go un-noticed by the school bully Norman, who manoeuvres him into betting his car that he cant get into bed with Beth in one week. 　　Chris is desperate and appeals to a newly-arrived neighbour, the worldly sophisticated Michelle for advice and gets more than he ever hoped for. 　　Sylvia (Emanuel) Kristel plays Michelle. The Big Bet was directed by 50's scifi/horror maestro Bert I. Gordon.

《感性露营》为韩国JTBC电视台于2020年推出的综艺节目，由安英美、朴娜勑、颂乐、朴素谈和孙娜恩出演，成员们以不同的国家主题进行露营，地点则是选择韩国国内与海外知名旅游景点相似的地方。

《感性露营》为韩国JTBC电视台于2020年推出的综艺节目，由安英美、朴娜勑、颂乐、朴素谈和孙娜恩出演，成员们以不同的国家主题进行露营，地点则是选择韩国国内与海外知名旅游景点相似的地方。

A girl waits for her boyfriend, a worker in the harbour. In the locker room a worker confides in his colleague about his unhappy marriage. But there's more to their relationship than advice giving. At the end of his shift a young man takes a shower in the washroom of the port and hurries to meet his girlfriend in the cantine. It's his last day on the job. One moment they seem hopeful and in love, the next she’s being ghosted. Baffled, she goes looking for him in the port. Violetta, the owner of the cantine is a hard worker nostalgic of a life she never had. She employs her niece, a radical pacifist whose life strategy is to lay low. Intersecting, their stories create a parallax view of heartbreak and desire, disappointment and hope.

A girl waits for her boyfriend, a worker in the harbour. In the locker room a worker confides in his colleague about his unhappy marriage. But there's more to their relationship than advice giving. At the end of his shift a young man takes a shower in the washroom of the port and hurries to meet his girlfriend in the cantine. It's his last day on the job. One moment they seem hopeful and in love, the next she’s being ghosted. Baffled, she goes looking for him in the port. Violetta, the owner of the cantine is a hard worker nostalgic of a life she never had. She employs her niece, a radical pacifist whose life strategy is to lay low. Intersecting, their stories create a parallax view of heartbreak and desire, disappointment and hope.

The earth, life and death, indifference and affection, abandonment, faith. Words and silence, light and shadow, the endless survival, the inability to love. A trilogy set in 2017, 2028, 2037. Three women of different generations and backgrounds cross paths; their tentative steps to fully exist evoke fragments of stories, bringing real life experiences and events into each character.